Department of Conservation

Research output

Research output per year 1984 2005 2007 2008 2009 2010 2011 2012 2013 2014 2016 2017 2018 2019 2021 2022 2023 2024 2024

• 555 Citations
• 14 h-index
• 160 Article
• 56 Conference contribution
• 44 Chapter
• 13 Chapter (peer-reviewed)
• 33 More
  • 11 Book
  • 8 Digital or Visual Products
  • 6 Paper
  • 2 Book/Film/Article review
  • 2 Other contribution
  • 1 Commissioned report
  • 1 Other chapter contribution
  • 1 Review article
  • 1 Special issue

Research output per year

Research output per year

Search results

• 2024

  Eleonore Koch and the Brazilian Egg Tempera Revival

  Gottschaller, P., 2024, (Accepted/In press) Eleonore Koch. Pitta, F. (ed.). São Paulo: Almeida e Dale Galeria de Arte

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Invisible Entanglements

  Gottschaller, P., 2024, (Accepted/In press) Moyna Flannigan: Space Shuffle. Carey, S. & Connarty, J. (eds.). Edinburgh: Artists' Collective Gallery, p. 5-9

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Painting, Fast and Slow

  Gottschaller, P., 2024, Painting, Fast and Slow. Malerei auf Papier der Sammlung Michalke. Munich: Metropol Kunstraum, p. 4-14

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Ruins on Faux Fur: Materiality in Pino Pascali, 1964-68

  Gottschaller, P., 2024, Pino Pascali. Godfrey, M. (ed.). Milan: Fondazione Prada, p. 220-231

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Understanding Rubens' Moses and the Brazen Serpent: Collaborations Past and Present

  Richardson, C. & Stonor, K., 2024, Art History, Conservation and Conservation Science: New perspectives for cooperation. Burnstock, A., Klemm, T., Laaser, T., Leonhard, K., Neugebauer, W. & von Reden, A. (eds.). Berlin: Reimer Verlag, p. 304 337 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2023

  Lining at the National Maritime Museum and at the Courtauld Institute of Art: Past and Present

  Polkownik, C., Richardson, C., Cross, M. & Maisey, S., Jul 26 2023, Conserving Canvas. Getty Publications

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Greenwich 100%
  • National Maritime Museum 100%
  • Maritime museums 100%
  • Case Study 100%
  • Royal Museum 75%
• 2022

  Analytical Approaches to the Analysis of Paintings: An Overview of Methods and Materials

  Colombini, M. P., Degano, I., Nevin, A., Colombini, M. P. (Editor), Degano, I. (Editor) & Nevin, A. (Editor), Sept 22 2022, Analytical Chemistry for the Study of Paintings and the Detection of Forgeries. Springer, Cham, p. 95-111

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Art to Life, Industry to Art

  Gottschaller, P., 2022, Geraldo de Barros - Imaginário, Construção e Memória. Favre, M. & Mammi, L. (eds.). São Paulo: Instituto Itaú Cultural, p. 238-239, 388-389

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Crusader, Eden and Madame Ranee

  Gottschaller, P., Jun 2022, Beat Zoderer. The London Soap Opera. London: Bartha Contemporary, p. 4-8

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Fluorescence for the Analysis of Paintings

  Nevin, A., Colombini, M. P. (Editor), Degano, I. (Editor) & Nevin, A. (Editor), Sept 22 2022, Analytical Chemistry for the Study of Paintings and the Detection of Forgeries. Netherlands: Springer, Cham, p. 221 245 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Technical investigations on two drawings by Parmigianino

  Edmondson, K. & Richardson, C., 2022, The Art of Experiment Parmigianino At The Courtauld. Gottardo, K. & Rebecchini, G. (eds.). The Courtauld Gallery and Paul Hoberton Publishing, p. 163-169 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Your Trash is My Treasure

  Gottschaller, P., 2022, Out Of Order. The Collages of Louise Nevelson. Marconi, F. & Etgar, Y. (eds.). Mousse Publishing, p. 37-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2021

  Introduction: The Myth of Purity: New Material Histories of Concrete Art in Argentina, Brazil, and Uruguay

  Gilbert, Z., Gottschaller, P., Learner, T. & Perchuk, A., 2021, Purity is a Myth: The Materiality of Concrete Art in Argentina, Brazil, and Uruguay. Los Angeles: Getty Publications, p. 1-9 (Issues & Debates).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Paints and Binding Media

  Nevin, A., Dec 31 2021, Conservation Science - Heritage Materials. Garside, P. & Richardson, E. (eds.). 2 ed. London: Royal Society of Chemistry, p. 291-330 39 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Binding Media 100%
  • Fourier Transform 100%
  • Chemistry 33%
  • Infrared Spectroscopy 33%
  • Infrared Vibrational Spectroscopy 25%

• Sacilotto's ABC São Paulo

  Gottschaller, P., 2021, Sacilotto. Mattar, D. & Pérez-Barreiro, G. (eds.). London/São Paulo: Cosac Naify, p. 29-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2020

  Comparative Visual Examination of Medardo Rosso’s Bambino ebreo

  Nevin, A. & Hecker, S., Oct 26 2020, Finding Lost Wax: The Disappearance and Recovery of an Ancient Casting Technique and the Experiments of Medardo Rosso. Hecker, S. (ed.). Brill, p. 235-255 (Studies in Art & Materiality; vol. 3).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Creative Inconsistencies: Compositional Analysis of Rosso’s Waxes

  Nevin, A. & Izzo, F. C., Oct 26 2020, Finding Lost Wax: The Disappearance and Recovery of an Ancient Casting Technique and the Experiments of Medardo Rosso. Hecker, S. (ed.). Brill, p. 256–268 (Studies in Art & Materiality; vol. 3).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Industrial Design Objects in the Museum Environment

  Toniolo, L. & Nevin, A., Jul 1 2020, Science and Art: The Contemporary Painted Surface. Sgamellotti, A., Brunetti, B. G. & Miliani, C. (eds.). Royal Society of Chemistry

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2019

  Time-Gated Photoluminescence Microscopy as an Emerging Method for the Study of Paint Cross-Sections

  Artesani, A., Angelis, R. D., Nevin, A., Valentini, G. & Comelli, D., 2019, Conservation of Modern Oil Paintings. Springer, Cham, p. 393-402 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2018

  Pigment Alteration

  Nevin, A., 2018, The Encyclopedia of Archaeological Sciences. Wiley-Blackwell, p. 1-4 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'The influence of science and technology on the conservation and technical study of paintings in the last 50 years: a personal viewpoint'

  Burnstock, A., Jan 2018, The Picture so Far: 50 Years of Painting Conservation. Granville, A., Hinde, L., Plender, S., Tomlinson, H. & Wade, N. (eds.). Archetype, p. 32-58

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2014

  'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’

  Rae, C. & Burnstock, A., 2014, European Paintings 15th-18th Century, Copying, Replicating and Emulating. Copenhagen: Centre for Art Technological Studies( CATS), p. 58-66

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Dig, slash and stitch: contemporary artists and their substrates

  Gottschaller, P., Jun 2014, Bright Light, Living the Substrate. Dibosa, D. (ed.). London: University of the Arts, London Camberwell, Vol. 2. p. 43-51

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'The Painted Surface and Interface'

  Young, C., Sept 2014, Chapter in The Conservation of Panel Paintings and Related Objects. NOW/Getty

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2013

  'Glass Transition Interpretation for Canvas Paintings'

  Young, C., Jul 2013, Adhesives and Consolidants in Painting Conservation. London: Archetype

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'The Changing Role of English Scenic Artists'

  Young, C., Sept 2013, Setting the Scene. London: Archetype, p. 99-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

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  392 Downloads (Pure)
• 2012

  'Deterioration of traditional oil paint films 15th-early 20th centuries'

  van Loon, A., Noble, P. & Burnstock, A., 2012, The Conservation of Easel Paintings. Hill Stonor, J. & Rushfield, R. (eds.). London and New York: Routledge, p. 214-241

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'History of Fabric Supports'

  Young, C., Nov 2012, Conservation of Easel Paintings. Holl Stoner, J. & Rushfield, R. (eds.). London: Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Strange Things Can Happen—David Reed in conversation with Pia Gottschaller

  Gottschaller, P. & Reed, D., 2012, Heart of Glass. David Reed – Gemälde und Zeichnungen 1967-2012. Berg, S. & Schreier, C. (eds.). Köln: Snoeck, p. 60-68 (English); 89-112 (German)

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Texture, Transparency and Opacity in the writing of Art History: Approaches to materiality in the study of Netherlandish Painting of the Seventeenth Century'

  Reissner, E., 2012, Zeitschrift fur Kunsttechnologie und Konservierung: No. 26. Gabler, W., Schaible, V. & Krekel, C. (eds.). Worms, Vol. 2. p. 448-461

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A Pilot Application of scanning electron microscopy and high resolution X-radiography for the conservation of paintings’

  Burnstock, A., Ball, A. D., Howard , L. E. & Silvester, G., 2012, Historical Technology, Materials and Conservation. Archetype, p. 14-21

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘History and Use of Other Ridig Supports for Easel Paintings from Early Rennaissance to 20th Century’

  Cross, M., Horovitz, I., Blewett, M., Ormsby, B., Wadum, J. & Holubec, I., 2012, The Conservation of Easel Paintings. Hill-Stoner, J. & Rushfield, R. (eds.). London: Butterworths-Elsevier, p. 51-115

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2011

  Gespräch mit dem Künstler Peter Soriano

  Gottschaller, P., 2011, Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960. Semff et al., M. (ed.). Muenchen, p. 14-18

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Gespräch mit dem Sammler

  Gottschaller, P., 2011, Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960. Semff et al., M. (ed.). Muenchen, p. 42-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Tabula Rasa 1967

  Gottschaller, P., 2011, Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960. Semff et al., M. (ed.). Muenchen, p. 29-35

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2010

  'Cézanne's development of the Card Players'

  Burnstock, A., Hale, C., Campbell, C. & Macaro, G., 2010, Cézanne's Card Players [Exhibition Catalogue]. London: Paul Holberton Press, p. 31-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Acrylic Retouching’

  Cross, M., Sims, S. & Smithen, P., 2010, Mixing and Matching: Approaches to Retouching Paintings. London: Archetype Books, p. 163-179

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2009

  'Vagaries and Uncertainties’ in Rothko’s painting process

  Gottschaller, P., 2009, Rothko/Giotto. Weppelmann, S. & Wolf, G. (eds.). Muenchen: Hirmer Verlag, p. 153-168

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2008

  'Cold Temperature Effects of Modern Paints Used for Priming Flexible Supports'

  Young, C. & Hagan, E., 2008, In Preparation for Painting. Townsend, J., Doherty, T., Heydenreich, G. & Ridge, J. (eds.). London: Archetype Books, p. 172-179

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Cold Temperature Effects 100%
  • Modern Paints 100%
  • Flexible Support 100%
  • Ultimate Tensile Strength 100%
  • Brittle Fracture 100%

• 'The Mechanical Response of Flour Paste Grounds'

  Young, C. & Carlyle, L., 2008, In Preparation for Painting. Townsend, J., Doherty, T., Heydenreich, G. & Ridge, J. (eds.). London: Archetype Books, p. 123-131

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2007

  'Factors Affecting the Mechanical Properties of Modern Paints'

  Young, C., Hagan, E., Charalambides, M., Learner , T. & Murrary, A., 2007, Modern Paints Uncovered. Tate/ Getty/ NGA, p. 227-235

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• New York Conversations about Blinky

  Gottschaller, P., 2007, Palermo. Kueper et al., S. (ed.). Koeln: DuMont, p. 131-147

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2004

  ‘Restoring Spontaneity: Conserving Duncan Grant’s ‘Caryatid’ from the Collection of Manchester City Galleries’

  Cross, M., 2004, Cr: Interdisciplinair Vakblad voor Conservering en Restauratie . p. 18-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 1990

  ‘The materials and technique of the Winter Landscape’

  Burnstock, A., 1990, Caspar David Friedrich: Winter Landscape [Exhibition Catalogue]. London: National Gallery, London, p. 52-54

  Research output: Chapter in Book/Report/Conference proceeding › Chapter