David Peters Corbett

2020

The Coasts of Experience: Fitz Henry Lane’s Brace’s Rock, Eastern Point

Peters Corbett, D., 2020, Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Read, R. & Haltman, K. (eds.). University of Chicago Press

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2018

'Facingness in George Caleb Bingham’s River Paintings'

Peters Corbett, D., Jul 9 2018, In: American Art. 32, 2

Research output: Contribution to journal › Article › peer-review

Open Access

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36 Downloads (Pure)

2017

''Decreation and Undoing: George Bellows’ Excavation Paintings, 1907-1909'

Peters Corbett, D., Sept 2017, In: Art History. 40, 17, p. 838-855

Research output: Contribution to journal › Article › peer-review

'The World Is Terrible and It Is Not There at All': George Bellows on Monhegan Island

Peters Corbett, D., Sept 2017, Experience. Nemerov, A. (ed.). Chicago: Chicago University Press / Terra Foundation, p. 136-154 (Terra Foundation Essays).

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2016

Response, “Conversation Piece: There’s No Such Thing as British Art”

Peters Corbett, D., 2016, In: British Art Studies. 1, 1

Research output: Contribution to journal › Comment/debate › peer-review

Open Access

2015

‘City Painting in American Art, 1880-1930’

Peters Corbett, D., 2015, The Blackwell Companion to American Art. Davis, J. (ed.). Wiley-Blackwell, p. 562-580

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2014

‘American Water: Memory and Projection in Mid-Nineteenth Century American Painting’

Peters Corbett, D., Nov 21 2014, Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. Arnold, D. (ed.). I. B. Taurus, p. 137-55

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2013

‘Painting American Frontiers: “Encounter” and the Borders of American Identity in Nineteenth-Century Art’

Peters Corbett, D., 2013, In: Perspective: La revue de l‘INHA, actualités de la recherche en histoire de l’art. 1, p. 129-52

Research output: Contribution to journal › Article › peer-review

‘When Attitudes Became Formless: Art and Antagonism in the Sixties’

Applin, J., Arnold, D. (Editor) & Peters Corbett, D. (Editor), 2013, A Companion to British Art, 1600-2000. Oxford: Blackwell, p. 180-198

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2012

‘City Visions: The Urban Scene in Camden Town Group and Ashcan School Painting’

Peters Corbett, D., May 2012

Research output: Non-textual form › Web publication/site

Open Access

‘Life in the Ring: Boxing 1907-1909’

Peters Corbett, D., 2012, George Bellows [Exhibition Catalogue]. Washington DC: DelMonico Books/ Prestel, p. 71-83

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2011

An American Experiment: George Bellows and the Ashcan Painters [Exhibition Catalogue]

Peters Corbett, D., 2011, London: Yale University Press.

Research output: Book/Report › Book

‘Art, Morality, and the National Interest: Theodore Winthrop, Frederic Church, and Martin Johnson Heade at the Tenth Street Studios in 1859’

Peters Corbett, D., 2011, In: European Journal of American Culture. 30, 1, p. 57-72

Research output: Contribution to journal › Article › peer-review

‘Camden Town and Ashcan: Difference, Similarity and the “Anglo-American” in the Work of Walter Sickert and John Sloan’

Peters Corbett, D., Sept 2011, In: Art History. 34, 5, p. 774-795

Research output: Contribution to journal › Article › peer-review

1 Citation (Scopus)

‘The Problematic Past in the Work of Charles Sheeler, 1917-1927’

Peters Corbett, D., 2011, In: Journal of American Studies. 45, 3, p. 559-580

Research output: Contribution to journal › Article › peer-review

1 Citation (Scopus)

2010

‘Vision and Vengeance in London and Paris: Balzac, Clausen, Manet’

Peters Corbett, D., 2010, In: Synergies. 3, p. 187-196

Research output: Contribution to journal › Article › peer-review

2009

‘Nineteenth Century American and British Art and their Historiographies: A Comparison’

Peters Corbett, D., 2009, National and International Perspectives on American Art before 1945. Wierich, J. & Groseclose, B. (eds.). Penn State University Press

Research output: Chapter in Book/Report/Conference proceeding › Chapter

‘Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’

Peters Corbett, D., 2009, Modernist Magazines: A Critical and Cultural History, 1880-1945. Thacker , A. & Brooker, P. (eds.). Oxford: Oxford University Press, p. 101-119

Research output: Chapter in Book/Report/Conference proceeding › Chapter

‘“Not Material Enough for the Age”: PreRaphaelite Words and Images’

Peters Corbett, D., 2009, Writing the Pre-Raphaelites: The Textual Formation of a Victorian Avant-Garde. Barringer, T. & Giebelhausen, M. (eds.). London: Ashgate Publishing Ltd.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2008

‘Le Symbolisme dans les petites revues britanniques: The Dome et The Dial’

Peters Corbett, D., 2008, Les Revues illustrées en Europe entre deux siècles 1880-1920. Stead , E. & Vedrine, H. (eds.). Presses Universitaires de France, p. 337-353

Research output: Chapter in Book/Report/Conference proceeding › Chapter

‘Modern Themes in Camden Town Painting’

Peters Corbett, D., 2008, Camden Town [Exhibition Catalogue]. Upstone, R. (ed.). Tate Publishing, p. 27-37

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2007

‘Homosociality and Visual Knowledge in the Circle of Charles Ricketts’

Peters Corbett, D., 2007, In: Visual Culture in Britain. 8, 1, p. 59-72

Research output: Contribution to journal › Article › peer-review

2006

‘Visualising the Right Question’

Peters Corbett, D., 2006, In: Journal of Victorian Culture. 11, 2, p. 338-348

Research output: Contribution to journal › Article › peer-review

2005

'Laurence Binyon, and the Aesthetic of Modern Art’

Peters Corbett, D., 2005, In: Visual Culture in Britain. 6, 1, p. 101-119

Research output: Contribution to journal › Article › peer-review

‘Visual Culture and the History of Art’

Peters Corbett, D., 2005, Dealing with the Visual: Art History, Aesthetics, and Visual Culture. Van Eck, C. & Winters, E. (eds.). London: Ashgate Publishing Ltd., p. 17-36

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2004

Edward Burne-Jones

Peters Corbett, D., 2004, Tate Publishing. 80 p.

Research output: Book/Report › Book

The World in Paint: Modern Art and Visuality in England 1848-1914

Peters Corbett, D., 2004, University Park, PA, and Manchester: Penn State University Press and Manchester University Press,. 256 p. (Reconfiguring Modernism)

Research output: Book/Report › Book

2003

‘The Aesthetics of Materiality: Avant-Garde Painting in London before 1914’

Peters Corbett, D., 2003, The Great London Vortex: Modernist Literature and Art. Edwards, P. (ed.). Bath: Sulis Press, p. 116-125

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2001

Walter Sickert

Peters Corbett, D., 2001, London and Princeton, NJ: Tate Publishing and Princeton University Press. 80 p.

Research output: Book/Report › Book

‘Unmediation and Visuality in Burne-Jones’s Laus Veneris’

Peters Corbett, D., Mar 2001, In: Art History. 24, 1, p. 83-102

Research output: Contribution to journal › Article › peer-review

1 Citation (Scopus)

2000

Contribution to ‘Why Visual Culture in Britain? A Debate’

Peters Corbett, D., Jul 2000, Visual Culture in Britain, 1, 1, p. 6.

Research output: Contribution to specialist publication › Article

'Seeing Into Modernity: Walter Sickert’s Music Hall Scenes c. 1887-1907 and English Modernism’

Peters Corbett, D., Apr 2000, In: Modernism/Modernity. 7, 2, p. 285-306

Research output: Contribution to journal › Article › peer-review

‘Authority and Visual Experience: Word and Image in R. B. Kitaj’

Peters Corbett, D., 2000, Critical Kitaj: A Collection of Essays on the Work of R. B. Kitaj. Aulich, J. (ed.). Manchester: Manchester University Press, p. 44-57; 207-208

Research output: Chapter in Book/Report/Conference proceeding › Chapter

‘Landscape, Masculinity and Interior Space Between the Wars’

Peters Corbett, D., 2000, Gendering Landscape Art. Manchester : Manchester University Press, p. 102-115, 208-211

Research output: Chapter in Book/Report/Conference proceeding › Chapter

1999

‘Ekphrasis, History and Value in Charles Ricketts’s Art Criticism’

Peters Corbett, D., Apr 1999, In: Word and Image. 15, 2, p. 128-140

Research output: Contribution to journal › Article › peer-review

1998

‘“Gross Material Facts”: Sexuality, Identity and the City in Walter Sickert, 1905-1910'

Peters Corbett, D., Mar 1998, In: Art History. 21, 1, p. 45-64

Research output: Contribution to journal › Article › peer-review

3 Citations (Scopus)

1997

The Modernity of English Art, 1914-1930

Peters Corbett, D., 1997, Manchester: Manchester University Press. 234 p.

Research output: Book/Report › Book

‘“Make It New”: Laurence Binyon, Pound and Vorticism’

Peters Corbett, D., 1997, In: Paideuma. 26, 2&3, p. 183-194

Research output: Contribution to journal › Article › peer-review

1996

'History, Art and Theory in Time and Western Man’

Peters Corbett, D., 1996, Volcanic Heaven: Essays on Wyndham Lewis’s Painting and Writing. Edwards, P. (ed.). Santa Rosa, California: Black Sparrow Press, p. 103-122

Research output: Chapter in Book/Report/Conference proceeding › Chapter

1994