Klara Kemp-Welch

Research output

Research output per year 2006 2007 2010 2011 2012 2013 2014 2018 2019 2020 2021

• 16 Chapter
• 3 Book
• 3 Chapter (peer-reviewed)
• 3 Article
• 3 More
  • 1 Paper
  • 1 Special issue
  • 1 Web publication/site

Research output per year

Research output per year

Search results

• 2021

  Nicht ganz zu Hause? Osteuropäische Künstlerinnen und Künstler auf der documenta 1 bis 10

  Translated title of the contribution: Not Quite at Home? Eastern European Artists at Documentas 1-10’Kemp-Welch, K., 2021, documenta. Politik und Kunst, . Gross, R. (ed.). Berlin: Deutsches Historisches Museum, p. 208 216 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2020

  ‘Night Cleaning at the Bank: Sanja Iveković’s Screen Tests for Invisible Women’

  Kemp-Welch, K., 2020, Thinking Art. Materialisms, Labors, Forms, no. 2 . Osborne, P. (ed.). London: CRMEP Books, Vol. 2. p. 101-127 26 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access
• 2019

  Esprit de Corps: Collaborative Activities 1970-77

  Kemp-Welch, K., 2019, Dora Maurer. Bingham, J. (ed.). Tate Publishing, p. 10 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2018

  ‘Reckoning with History’

  Kemp-Welch, K., Aug 2018, Writings on Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology. Marcocci, R. (ed.). New York: MoMA

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Soft-Spoken Encounters: International Exchanges and the Hungarian “Underground’’’

  Kemp-Welch, K., Jul 17 2018, Art in Hungary 1956-1980. Doublespeak and Beyond. Sasvari, E. (ed.). London: Thames and Hudson, p. 273-291

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2014

  ‘Jordan McKenzie and the Rhetoric of Power’

  Kemp-Welch, K., 2014, Jordan McKenzie: [Exhibition Catalogue]. London and York: Arts Council of England and Yorkshire Sculpture Park

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2013

  ‘Autonomy, Solidarity and the Politics of NET’

  Kemp-Welch, K., 2013, NET. The Art of Dialogue / NET. Sztuka Dialogu. Czubak , B. (ed.). Warsaw: Fundacja Profil, p. 34-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Impossible Interviews with Ceausescu: Ion Grigorescu and the Dialogic Imagination’

  Kemp-Welch, K., 2013, Ion Grigorescu. The Man with a Single Camera.. Serban, A. (ed.). Berlin and New York: Sternberg Press, p. 158-84

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2012

  ‘KwieKulik’s Monument without a Passport (1978)’

  Kemp-Welch, K., 2012, Critique and Crisis. European Cultural Discourses since 1945. XXX Council of Europe Exhibition.. Berlin: Deutsches Historisches Museum

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2011

  ‘S.O.S. Socialist Occupation of the Subject’

  Kemp-Welch, K., 2011, Star City. The Future under Communism. Ronduda, L., Farquharson, A. & Piwowarska, B. (eds.). Warsaw: MAMMAL Foundation, Nottingham Contemporary and transit.at, p. 70-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Who’s Afraid of Neo-Socialist-Realism?’

  Kemp-Welch, K., 2011, Stefan Constantinescu. An Infinite Blue [Exhibition Catalogue]. London: GALERIE8, p. 43-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2010

  ‘Articulating the Between: Henryk Stażewski’s Critical Spaces’

  Kemp-Welch, K., 2010, Avant-garde in the Bloc. Warsaw and Vienna: Fundacja Galerii Foksal and JPR Ringier, p. 294-317

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Jiří Kovanda’s Collisions’

  Kemp-Welch, K., 2010, Chance. Iversen, M. (ed.). London and Cambridge (Mass.): Whitechapel Gallery and MIT Press, p. 147-149 (Documents of Contemporary Art ).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2008

  ‘Attacking Objectification: Jerzy Bereś in Dialogue with Marcel Duchamp’

  Kemp-Welch, K., 2008, Art Theory and Post-Socialism. Bristol UK and Portland USA: Intellect Books, p. 21-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2007

  ‘Affirmation and Irony in Endre Tót’s Actions of the 1970s’

  Kemp-Welch, K., 2007, Art History & Criticism 3, Art and Politics: Case-Studies from Eastern Europe. Dovydaityte, L. (ed.). Kaunas: Vytautas Magnus , p. 136-144

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Understanding Jerzy Bereś’s Manifestations’ and ‘Jerzy Bereś’s Radical Expansion of the Readymade Event’

  Kemp-Welch, K., 2007, Jerzy Bereś: Sztuka zgina życie / Art Bends Life [Exhibition Catalogue]. Kraków: Bunkier Sztuki, p. 23-31; 35-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter