Sarah Wilson

Research output

Research output per year 1980 1989 1996 1997 2004 2007 2009 2010 2011 2013 2015 2022

• 124 Chapter
• 34 Article
• 6 Book
• 5 Foreword/postscript
• 12 More
  • 4 Book/Film/Article review
  • 2 Conference contribution
  • 2 Chapter (peer-reviewed)
  • 1 Other report
  • 1 Entry for encyclopedia/dictionary
  • 1 Other chapter contribution
  • 1 Web publication/site

Research output per year

Research output per year

Search results

• 2022

  All the Missiles Are One Missile Revisited: Dazzle in the Work of Zofia Kulik

  Wilson, S., Nov 11 2022, In: Arts. 11, 6

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Zofia Kulik 100%
  • Military 44%
  • Artist 36%
  • Kilims 25%
  • Retrospection 21%
• 2019

  Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen

  Wilson, S., Nov 2019, Art, Global Maoism and the Chinese Cultural Revolution. Galimberti, J., de Haro García, N. & Scott, V. H. F. (eds.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2016

  'Kovásznai today’ (Preface)

  Wilson, S., 2016, Kovásznai, a Cold War Artist. Animation. Painting. Freedom.. Budapest: Kovásznai Research Center Foundation, p. 12-13

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• 'Writing the disaster: Trauma and reconstruction in postwar France’

  Wilson, S., 2016, Art in Europe, 1945-1968, Facing the Future. Gillen, E. & Weibel, P. (eds.). Tielt: Lannoo Publishers, p. 88-101

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Kiki Kogelnyk, Modern Art Oxford UK’

  Wilson, S., Jan 2016, In: Artforum International. p. 238

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘The Triumph of Forces: Fernand Léger and the Popular Front’

  Wilson, S., 2016, Fernand Léger. Painting in Space.. Munich: Cologne Ludwig Museum / Hirmer Editions, p. 158-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2015

  Amrita Sher-Gil & Boris Taslitzky. Passions, Portraits, Fictions

  Wilson, S., 2015, London: Sotheby's Publications.

  Research output: Book/Report › Book

• 'Cruel Art: Picasso, Dalí and the Banality of Evil’

  Wilson, S., 2015

  Research output: Non-textual form › Web publication/site

  Open Access

• 'Dark side of the moon: L'anti-broderie de Hessie'

  Wilson, S., 2015, Hessie: Survival Art, 1969-2015. Bouvard, É. (ed.). Paris : Galerie Arnaud Lefebvre

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• 'Heureux hasards conceptuels: Jacques Monory en Angleterre'

  Wilson, S., 2015, Jacques Monory. Paris: Fonds Hélène et Édouard Leclerc, p. 107-111

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Obituaries: Brian Sewell, O tempora O mores!’

  Wilson, S., 2015, Courtauld News, 38, p. 46.

  Research output: Contribution to specialist publication › Article

• 'Sarah Wilson’: (‘The most intense experience with art’)

  Wilson, S., 2015, Merry Art. Grau, D. & Barry, H. (eds.). Hannah Barry Gallery, p. 145

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• 'Times of Transmission: cultures and constellations: Inferno and Paradise in East and West’, ‘Saleem Arif Quadri’, ‘Curators Biography’

  Wilson, S., 2015, First Asia Biennal / 5th Guangzhou Triennal. Yiping, L. (ed.). Guangdong Museum of Art, p. 60-67, 150-53, 242-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Władysław Hasior: Genius loci' czy europejski humanista?'

  Translated title of the contribution: 'Władysław Hasior: genius loci or European Humanist?’Wilson, S., 2015, Władysław Hasior. Zakopane: Tatra Muzeum, p. 189-207

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Bain Brisé de Yann Marussich: La première fois pour toujours’

  Translated title of the contribution: ‘The first time and for all times’Wilson, S., 2015, Yann Marrussich, Experience of Immobility. Geneva: Compagnie Yann Marussich, p. 51-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Children of Marx and Coca-Cola: Pop in a Divided World’ 

  Wilson, S., 2015, The EY Exhibition: The World Goes Pop [Exhibition Catalogue]. Frigeri, F. & Morgan, J. (eds.). p. 113-119

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2014

  'Comintern spin doctor’

  Wilson, S. & Münzenberg, W. (ed.), 2014, In: Storiografia, rivista annuale di storia. 18, p. 109-115

  Research output: Contribution to journal › Article › peer-review

• ‘A dying colonialism, a dying Orientalism: Algeria 1952’

  Wilson, S., 2014, Politics and the individual in France 1930-1950. Wardaugh, J. (ed.). Legenda, p. 135-51

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Des meilleurs ennemis au “Jardin d'amour”: Art et artistes à Paris et à Londres'

  Wilson, S., 2014, Nos meilleurs ennemis: L’entente culturelle franco-britannique revisitée. Cooper-Richet, D. & Rapoport, M. (eds.). Paris: Atlande, p. 81-99 (Savoirs Et Curiosité).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Post-colonial Rococo: Yinka Shonibare MBE plays Fragonard’

  Wilson, S., 2014, Rococo Echo: Art, Theory and Historiography. Hyde, M. & Scott, K. (eds.). Oxford: Voltaire Foundation, p. 313-328 (Studies on Voltaire and the Eighteenth Century).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
• 2013

  'Bergson before Deleuze: how to read informel painting'

  Wilson, S., 2013, Bergson and the Art of Immanence: Painting, Photography, Film. de Mille, C. & Mullarky, J. (eds.). Edinburgh: Edinburgh University Press, p. 80-93

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Lyotard, Monory: Postmodern Romantics’

  Wilson, S., 2013, L’ assassinat de l’ expérience par la peinture –Monory / The Assassination of Experience by Painting –Monory. Parret, H. & Lyotard, J-F. (eds.). Leuven: University of Leuven Press, p. 196-253 (Wrtitng on Contemporary Art and Artists ; vol. VI).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Pêcher dans la rivière: the immanence of poetics’

  Wilson, S., 2013, Sheila Hicks. Alison Jacques Gallery

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Picasso, Marx and Socialist Realism in France

  Wilson, S., 2013, Liverpool: Liverpool University Press.

  Research output: Book/Report › Book

• 'The Expanded Seam; the Song of the Shirt’

  Wilson, S., 2013, Pip Culbert. Saignon-en-Luberon: Galerie Kamila Regent

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Art, Artefact and Empire Thirty Glorious years in France’

  Wilson, S., 2013, In: Oxford Art Journal. 36, 2, p. 310-12

  Research output: Contribution to journal › Article › peer-review

• ‘Loyalty and Blood. Picasso’s FBI File’

  Wilson, S., 2013, Picasso and the Politics of Visual Representation: War and Peace in the era of Cold War and since. Harris, J. & Koeck, R. (eds.). Liverpool University Press, p. 110-24

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2012

  ‘Comintern spin doctor: Willi Münzenberg, artiste en révolution, 1889-1940'

  Wilson, S., Jun 2012, In: English Historical Review. CXXVII, 526, p. 662-668

  Research output: Contribution to journal › Article › peer-review

• ‘French socialist realism, 1945-1970’

  Wilson, S., 2012, Socialist Realisms.: Soviet Painting 1920-1970.. Bown, M. & Lafranconi, M. (eds.). Milan: Skira, p. 247-253

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Henry Claude Cousseau: le style c’est l’homme’

  Wilson, S., 2012, Mêlanges en hommage à Henry Claude Cousseau. Saulnier, E. & d' Hauteville, I. (eds.). Paris: Éditions du Regard

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Moscow Romantic exceptionalism: the suspension of disbelief’

  Wilson, S., 2012, Moscow Symposium, Conceptualism revisited . Groys, B. (ed.). New York: Sternberg Press, p. 102-123

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2011

  'Enluminures: representations de William Blake’

  Translated title of the contribution: 'Illuminations: Imagining William Blake’ Wilson, S., 2011, La Revue de la BNU, 4, p. 31-41.

  Research output: Contribution to specialist publication › Article

• 'Il realismo socialista francese, 1945-1970’

  Wilson, S., 2011, Realismi socialisti, Grande pittura sovietica 1920-1970. Milan: Skira, p. 247-253

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Jill Carrick, Nouveau Réalisme, 1960s France and the Neo-avant-garde. Topographies of Chance and Return, Aldershot and Birmingham, Ashgate Publishing 2010 (review)

  Wilson, S., Oct 2011, In: H-France Review. 11, 220, p. 1-4

  Research output: Contribution to journal › Book/Film/Article review

• Natalie Adamson, Painting, Politics and the struggle for the Ecole de Paris, 1944-1964, Farnham, Ashgate, 2009 (review)

  Wilson, S., Oct 2011, In: French Studies. LXV, 4, p. 557-558

  Research output: Contribution to journal › Book/Film/Article review

• 'One of a thousand ways to defeat entropy?’

  Wilson, S., 2011, One of a thousand ways to defeat entropy: Exhibition at the Arsenale Novissimo, Venice Biennale. London: AVC Charity Foundation, p. 46-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Raymond Mason, a last Romantic?’

  Wilson, S., 2011, In: Sculpture Journal. 19, 2, p. 248-254

  Research output: Contribution to journal › Article › peer-review

• 'Ruth Francken. Photography rooted, uprooted’

  Wilson, S., 2011, Mutations – Perspectives on Photography. Pontbriand, C. (ed.). Paris: Steidl, p. 350-353

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'SW unleashed’: Interview with Fiontan Bleau Moran

  Wilson, S., Aug 2011, Death Becomes Her.

  Research output: Contribution to specialist publication › Article

• ‘Acrostic for Chaissac’

  Wilson, S., 2011, Gaston Chaissac. London: Connaught Brown

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Alina Szapocznikow in Paris: worlds in action and in retrospect’

  Wilson, S., 2011, Alina Szapocznikow: Awkward Objects. Jakubowska, A. (ed.). Museum of Modern Art, Warsaw, p. 211-228

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Kantor's art from informel to installation’

  Wilson, S., 2011, Kantor was here. Murawska-Muthesius, K. (ed.). London: Black Dog Publishers, p. 129-139

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Lucio Fanti, le projet du futur’

  Wilson, S., 2011, Lucio Fanti, Peinture et Théâtre. Paris: Thalia, p. 48-68

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Moscow Romantic Exceptionalism: the suspension of disbelief’

  Wilson, S., 2011, In: e-flux. p. 64

  Research output: Contribution to journal › Article

  Open Access

• ‘Silver Scales, Silver Ink, Quicksilver Traces: Lucia Joyce’ and ‘Tilly Losch, reaching for intersubjective frontiers’

  Wilson, S. & Sina, A., 2011, Feminine Futures Performance Dance War Politics and Eroticism. Sina, A. (ed.). Dijon: Les Presses du Réel, p. 406-415, 416-418

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2010

  'De Cadenet The Skull Portraits’

  Wilson, S., 2010, Alexander de Cadenet, Life-Force. London: Alexia Goethe Gallery

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Entretienavec Sarah Wilson’

  Wilson, S., 2010, Aragon et l’art moderne. Musée de la Poste / Editions Beaux-Arts de Paris, p. 23-29

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• 'Nadia Khodossievitch-Léger, la griffe du siècle’

  Wilson, S., 2010, La Patriote, Cote d’Azur. Musée National Fernand Léger, p. 17- 20

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Nadia Léger, la griffe du siècle’

  Wilson, S., 2010, Hommage aux donateurs. Biot: Musée National Fernand Léger

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Orlan: archipelago’

  Wilson, S., 2010, Orlan. A Hybrid body of Artworks.. Donger, S. & O. (eds.). London: Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter