Hermelindo Fiaminghi’s Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto’s Tempera

Pia  Gottschaller; Tom  Learner; Joy Mazurek

Hermelindo Fiaminghi’s Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto’s Tempera

Pia Gottschaller, Tom Learner, Joy Mazurek

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay
Editors	Zanna Gilbert, Pia Gottschaller, Tom Learner, Andrew Perchuk
Place of Publication	Los Angeles
Publisher	Getty Publications
Pages	105-123
Publication status	Published - 2021

Cite this

Hermelindo Fiaminghi’s Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto’s Tempera. / Gottschaller, Pia ; Learner, Tom ; Mazurek, Joy.
Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. ed. / Zanna Gilbert; Pia Gottschaller; Tom Learner; Andrew Perchuk. Los Angeles: Getty Publications, 2021. p. 105-123.

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Gottschaller, Pia ; Learner, Tom ; Mazurek, Joy. / Hermelindo Fiaminghi’s Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto’s Tempera. Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. editor / Zanna Gilbert ; Pia Gottschaller ; Tom Learner ; Andrew Perchuk. Los Angeles : Getty Publications, 2021. pp. 105-123

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