Modigliani’s Painted Nudes: A Technical Study

Barbara Buckley; Aviva Burnstock; Silvia A. Centeno; Michael Duffy; Isabelle Duvernois; Anaïs Genty-Vincent; Jennifer Mass; Marie-Amélie Senot; Lena Stringari

Modigliani’s Painted Nudes: A Technical Study

Barbara Buckley, Aviva Burnstock, Silvia A. Centeno, Michael Duffy, Isabelle Duvernois, Anaïs Genty-Vincent, Jennifer Mass, Marie-Amélie Senot, Lena Stringari

The Courtauld Institute of Art

Research output: Contribution to journal › Article › peer-review

Abstract

This article is part of an ongoing research project into Modigliani’s nude portraits that began on the occasion of a Modigliani exhibition at Tate Modern in 2017–18. Through technical analysis of the artist’s materials and processes, the article charts the development of this well-known body of work, expanding the corpus of paintings under investigation to eight nudes painted between 1916 and 1919.

Original language	English
Journal	Tate Papers
Publication status	Published - Apr 2023

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https://www.tate.org.uk/research/tate-papers/35/modiglianis-painted-nudes-technical-study

Cite this

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title = "Modigliani{\textquoteright}s Painted Nudes: A Technical Study",

abstract = "This article is part of an ongoing research project into Modigliani{\textquoteright}s nude portraits that began on the occasion of a Modigliani exhibition at Tate Modern in 2017–18. Through technical analysis of the artist{\textquoteright}s materials and processes, the article charts the development of this well-known body of work, expanding the corpus of paintings under investigation to eight nudes painted between 1916 and 1919.",

author = "Barbara Buckley and Aviva Burnstock and Centeno, {Silvia A.} and Michael Duffy and Isabelle Duvernois and Ana{\"i}s Genty-Vincent and Jennifer Mass and Marie-Am{\'e}lie Senot and Lena Stringari",

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AU - Buckley, Barbara

AU - Burnstock, Aviva

AU - Centeno, Silvia A.

AU - Duffy, Michael

AU - Duvernois, Isabelle

AU - Genty-Vincent, Anaïs

AU - Mass, Jennifer

AU - Senot, Marie-Amélie

AU - Stringari, Lena

PY - 2023/4

Y1 - 2023/4

N2 - This article is part of an ongoing research project into Modigliani’s nude portraits that began on the occasion of a Modigliani exhibition at Tate Modern in 2017–18. Through technical analysis of the artist’s materials and processes, the article charts the development of this well-known body of work, expanding the corpus of paintings under investigation to eight nudes painted between 1916 and 1919.

AB - This article is part of an ongoing research project into Modigliani’s nude portraits that began on the occasion of a Modigliani exhibition at Tate Modern in 2017–18. Through technical analysis of the artist’s materials and processes, the article charts the development of this well-known body of work, expanding the corpus of paintings under investigation to eight nudes painted between 1916 and 1919.

M3 - Article

SN - 1753-9854

JO - Tate Papers

JF - Tate Papers

ER -

Modigliani’s Painted Nudes: A Technical Study

Abstract

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