Abstract
This article discusses the work of Collier Schorr, Anna Gaskell and Sarah Jones, in particular their use of the youthful body and their focus on portraiture, through a revised interpretation of Judith Butler?s concept of performativity. Catherine Grant argues: 'By looking at the work of these three photographers I want to argue that their portraits create uneasy viewing through the use of a more weighted concept of performativity where ?difference? counts'.
Original language | English |
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Pages (from-to) | 88-92 |
Number of pages | 5 |
Journal | n.paradoxa: international feminist art journal |
Volume | 6 |
Publication status | Published - 2000 |