This article discusses the work of Collier Schorr, Anna Gaskell and Sarah Jones, in particular their use of the youthful body and their focus on portraiture, through a revised interpretation of Judith Butler?s concept of performativity. Catherine Grant argues: 'By looking at the work of these three photographers I want to argue that their portraits create uneasy viewing through the use of a more weighted concept of performativity where ?difference? counts'.
|Number of pages||5|
|Journal||n.paradoxa: international feminist art journal|
|Publication status||Published - 2000|