Abstract
This article discusses the work of Collier Schorr, Anna Gaskell and Sarah Jones, in particular their use of the youthful body and their focus on portraiture, through a revised interpretation of Judith Butler?s concept of performativity. Catherine Grant argues: 'By looking at the work of these three photographers I want to argue that their portraits create uneasy viewing through the use of a more weighted concept of performativity where ?difference? counts'.
| Original language | English |
|---|---|
| Pages (from-to) | 88-92 |
| Number of pages | 5 |
| Journal | n.paradoxa: international feminist art journal |
| Volume | 6 |
| Publication status | Published - 2000 |