Robert Rauschenberg and Surrealism: Art History, 'Sensibility' and War

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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement that the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.
In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative, connotative dimensions of the oeuvre as identified by Surrealists, extrapolating new readings from key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. While analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Original languageEnglish
Place of PublicationNew York and London
PublisherBloomsbury Publishing
Number of pages304
ISBN (Print)978-1-5013-5829-6
Publication statusPublished - Apr 15 2023

Publication series

NameTransnational Surrealism


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