‘The “Autographic Self”: Facsimile Signatures and Lithographic Portraiture at the Crossroads of Liberalism, Romanticism, and Nationalism, c.1800–60’

Tom Young

‘The “Autographic Self”: Facsimile Signatures and Lithographic Portraiture at the Crossroads of Liberalism, Romanticism, and Nationalism, c.1800–60’

The Courtauld Institute of Art

Research output: Contribution to journal › Article › peer-review

Original language	English
Pages (from-to)	168–200.
Journal	Cultural History
Volume	12
Issue number	2
Publication status	Published - 2023

Cite this

@article{219da8ec851040d9842083e055671298,

title = "{\textquoteleft}The “Autographic Self”: Facsimile Signatures and Lithographic Portraiture at the Crossroads of Liberalism, Romanticism, and Nationalism, c.1800–60{\textquoteright}",

author = "Tom Young",

year = "2023",

language = "English",

volume = "12",

pages = "168–200.",

journal = "Cultural History",

issn = "2045-290X",

publisher = "Edinburgh University Press",

number = "2",

}